| Vol/No. |
Date |
| Title |
Author |
1/1 |
Winter 2000 |
New Texts of William Dunbar, Alexander Scott and
other Scottish Poets |
Priscilla Bawcutt |
1/1 |
Winter 2000 |
'(A!) Fredome is a Noble Thing': Christian
Hermeneutics and Barbour's Bruce |
R D S Jack |
1/1 |
Winter 2000 |
'Aliens and Outlaws rather than Subjects and
Citizens'? (The Image and Identity of) Catholics in Eighteenth-Century
Scotland |
Clotilde Prunier |
1/1 |
Winter 2000 |
Competing Idylls: Fergusson and Burns |
Christopher Whyte |
1/1 |
Winter 2000 |
'The Vision of Enchantment's Past': Walter Scott
Rescripts the Revolution in Marmion |
Irene Basey Beesemyer |
1/1 |
Winter 2000 |
Literary Giants and Black Dwarfs |
Lidia Garbin |
1/1 |
Winter 2000 |
'When the Gangs Came to London': On the Recent
Thanksgiving for 'Peace' |
Margery Palmer McCulloch |
1/1 |
Winter 2000 |
Review Article: The Folly of Our Fable:
Getting Scottish History Wrong |
Christopher Harvie |
2/1 |
Spring 2001 |
On Gaelic and Gender |
Iain Crichton Smith |
2/1 |
Spring 2001 |
Interview with Kathleen Jamie |
Lilias Fraser |
2/1 |
Spring 2001 |
Interdisciplinarity after Davie: Postcolonial
Theory and Crises of Terminology in Scottish Cultural Studies |
Michael Gardiner |
2/1 |
Spring 2001 |
A Note on the Scotsman who Inspired Fanny
Hill |
David Stevenson |
2/1 |
Spring 2001 |
Gender and the Place of Culture in Scott's St
Ronan's Well |
Robert P Irvine |
2/1 |
Spring 2001 |
John Buchan and The Northern Muse. The
Politics of an Anthology |
Christopher Harvie |
2/1 |
Spring 2001 |
The Scottish Renaissance and the Irish Invasion:
Literary Attitudes to irishness in Inter-War Scotland |
Liam McIlvanney |
2/1 |
Spring 2001 |
'That great brute of a bunion!': The Construction
of Masculinity in Jessie Kesson's Glitter of Mica |
Joan Anderson |
2/1 |
Spring 2001 |
'A Woman's a Man, for a' that': Jackie Kay's
Trumpet |
Jeannette King |
2/1 |
Spring 2001 |
Review Article: Scottish Editing as
Conjectural History (review essay on recent editions of Scott) |
Kathryn Sutherland |
2/2 |
Autumn 2001 |
Allan Ramsay's Contribution to Theatre in
Edinburgh, 1719-1739 |
Michael Murphy |
2/2 |
Autumn 2001 |
'Dougal MacCullony, I am Glad to See Thee!':
Gaelic Etymology, Jacobite Culture, and 'Exodus Politics' |
Niall MacKenzie |
2/2 |
Autumn 2001 |
From Caledonia to Albania: Byron, Galt, and the
Progress of the Eastern Savage |
Massimiliano Demata |
2/2 |
Autumn 2001 |
The Authority of Influence: John Davidson and
Hugh MacDiarmid |
Hazel Hynd |
2/2 |
Autumn 2001 |
The Theme of Exile in the African Short Stories of
Muriel Spark |
Abdel-Moniem Aly |
2/2 |
Autumn 2001 |
Language and Bilingualism in the Gaelic Poetry of
Iain Crichton Smith |
Michelle MacLeod |
2/2 |
Autumn 2001 |
The Failure of Representation - 'Deer on the High
Hills' as Thesis |
Moray Watson |
2/2 |
Autumn 2001 |
Profile: A Prominent Artist in Paisley? Sandy
Stoddart, Monumental Sculptor |
David Stenhouse |
2/2 |
Autumn 2001 |
Review Article: Stealth Scottishness?
Studying Scotland in North America |
Caroline McCracken-Flesher |
3/1 |
Spring 2002 |
'Na les vailyeant than ony uthir princis of
Britane': representations of Arthur in Scotland 1480-1540 |
Nicola Royan |
3/1 |
Spring 2002 |
Natives and Nostalgia: The Problem of the 'North
American Savage' in Adam Smith's Historiography |
Maureen Harkin |
3/1 |
Spring 2002 |
'Into The Woof, A Little Thibet Wool': Orientalism
and Representing 'Reality' in Walter Scott's The Surgeon's Daughter |
Molly Younkin |
3/1 |
Spring 2002 |
Northern Consciousness and National Identity:
Edvard Munch in Scotland |
Venda Pollock |
3/1 |
Spring 2002 |
Cooking and Calvinism: History in the Voice of
Scotland Books |
Hanne Tange |
3/1 |
Spring 2002 |
Scotland Anthologised: Images of Contemprary
Scottish Identity in Translation Anthologies of Scottish Poetry |
Paul Barnaby |
3/1 |
Spring 2002 |
An interview with Alec Findlay |
Lilias Fraser |
3/1 |
Spring 2002 |
A Tartan Politics? Couture and National
Creativity in the New Scottish Parliament |
Caroline McCracken-Flesher |
3/2 |
Autumn 2002 |
The Eighteenth-Century Revival and the Nature of
Scottish Nationalism |
Paul Henderson Scott |
3/2 |
Autumn 2002 |
Race, Theology and Revival: Scots Philology and
its Contexts in the Age of Pinkerton and Jamieson |
Colin Kidd |
3/2 |
Autumn 2002 |
‘The Worst Sect that a Christian Man can
Meet’: Opposition to the Plymouth Brethren in Ireland and Scotland,
1859-1900 |
Crawford Gribben |
3/2 |
Autumn 2002 |
Stevenson’s ‘Auld Alliance’:
France, Art Theory and the Breath of Money in The Wrecker |
William Gray |
3/2 |
Autumn 2002 |
The Legend of the Geilt and the Quest for
Imbas Forosnai in Neil Gunn’s The Well at the World’s
End |
Jan Curtis |
3/2 |
Autumn 2002 |
Twenty Years A-Growing. Cappella Nova: A Profile |
Jamie Reid-Baxter |
4/1 |
Spring 2003 |
Poets and Other Animals: an interview with John
Burnside |
Attila Dósa |
4/1 |
Spring 2003 |
The Traditional Ballad: Requickened Text or
Performative Genre? |
James Porter |
4/1 |
Spring 2003 |
Sir George Mackenzie’s Aretina of
1660: A Scot’s Assault on Restoration Politics |
Irene Basey Beesemyer |
4/1 |
Spring 2003 |
Dogs and the ‘Talking Animal Syndrome’
in Janet Little’s ‘From Snipe, a Favourite Dog, To His Master’
(1791) |
Anne Milne |
4/1 |
Spring 2003 |
Awkward Silences in Scott’s Waverley |
Stefan Thomas Hall |
4/1 |
Spring 2003 |
James Hogg, and Edinburgh’s Triumph over
Napoleon |
Gillian Hughes |
4/1 |
Spring 2003 |
Of Hard Men and Hairies: No Mean City and
Modern Scottish Urban Fiction |
Sylvia Bryce-Wunder |
4/1 |
Spring 2003 |
Rankin Revisited: An Interview with Ian Rankin |
Gill Plain |
4/2 |
Autumn 2003 |
An English Invasion Would Have Been Worse: Why
the Scottish Parliament Accepted the Union |
Paul Henderson Scott |
4/2 |
Autumn 2003 |
Scott’s Critique of the English Treason Law
in Waverley |
Joan Garden Cooper |
4/2 |
Autumn 2003 |
The Mercenary, the Savage and the Civilised War:
Scott and A Legend of the Wars of Montrose |
Andrew Lincoln |
4/2 |
Autumn 2003 |
Highland Habits: the Iconography of the Sobieski
Stuarts |
Robin Nicholson |
4/2 |
Autumn 2003 |
‘Playing Double’: Performing
Childhood in Treasure Island |
Fiona McCulloch |
4/2 |
Autumn 2003 |
Janice Galloway’s Alienated Spaces |
Mary McGlynn |
4/2 |
Autumn 2003 |
Thrawn Themes and Dramatic Experiments: W. Gordon
Smith and the Paradoxes of Creative Iconoclasm |
Ian Brown |
4/2 |
Autumn 2003 |
What Force Made Men Act So?: a Question of
Historical Fiction |
Margaret Elphinstone |
5/1 |
Spring 2004 |
William Harvey and the Scottish Chapbooks |
Suzanne Gilbert |
5/1 |
Spring 2004 |
The Cultural Expropriation of ‘Lillibulero’ |
James Porter |
5/1 |
Spring 2004 |
The David Murray Collection: from Scrapbook to Website |
Valentina Bold |
5/1 |
Spring 2004 |
Ballads, Britishness and Hardyknute |
Mel Kersey |
5/1 |
Spring 2004 |
William Robertson Nicoll, the Kailyard Novel and the Question of Popular Culture |
Andrew Nash |
5/1 |
Spring 2004 |
What is Wilderness? John Muir and the Question of the Wild |
Chris Powici |
5/1 |
Spring 2004 |
In a World of Words: Edwin Morgan’s Multilingualism |
Hanne Tange |
5/1 |
Spring 2004 |
Interview with James Kelman |
Michael Gardiner |
5/2 |
Autumn 2004 |
James Hogg, Scottish Calvinism and Literary
Theory |
Crawford Gribben |
5/2 |
Autumn 2004 |
Recipes for Disaster: Eating and Gender in the
Novels of Susan Ferrier |
Sarah Moss |
5/2 |
Autumn 2004 |
‘Genius in a Provincial Town’:
MacDiarmid’s Poetry and Politics in Montrose |
Scott Lyall |
5/2 |
Autumn 2004 |
The ‘Becoming Woman’ - Femininity and
the Rave Generation in Alan Warner’s Morvern Callar |
Carole Jones |
5/2 |
Autumn 2004 |
Interview with Tom Leonard |
Attila Dósa |
5/2 |
Autumn 2004 |
Some thoughts on ‘Performing Childhood in
Treasure Island’ |
Martin Axford |
5/2 |
Autumn 2004 |
‘The Bothan-Dubh’ |
a previously unpublished short
story by Fionn MacColla |
6/1 |
Spring 2005 |
Thomas Dermody, Robert Burns and the Killeigh
Cycle |
Stephen Dornan |
6/1 |
Spring 2005 |
James Orr: Ulster-Scot and Poet of the 1798
Rebellion |
Carol Baraniuk |
6/1 |
Spring 2005 |
Eating Your Words: Plate and Nation in Meg
Dods’s The Cook and Housewife’s Manual |
Andrew Monnickendam |
6/1 |
Spring 2005 |
Erik Chisholm and MacPherson’s Night
Song of the Bards |
John Purser |
6/1 |
Spring 2005 |
For the Vernacular Circle: reprinted from
The Bulletin, January 1938 |
Hugh MacDiarmid and Edwin Muir |
6/1 |
Spring 2005 |
Postcolonial Translation Studies and James
Kelman’s Translated Accounts |
Susanne Hagemann |
6/1 |
Spring 2005 |
Extracts from a Longer Conversation with Frank
Kuppner |
Attila Dósa |
6/1 |
Spring 2005 |
Reputations and Remembering: Work on the First
Biographical Dictionary of Scottish Women |
Sue Innes |
6/1 |
Spring 2005 |
Addendum to ‘William Harvey and the Scottish
Chapbooks’ (SSR 5/1) |
Suzanne Gilbert |
6/2 |
Autumn 2005 |
Allegory and Parody in William Dunbar’s
‘Sen that I am a presoneir’ |
Sarah Couper |
6/2 |
Autumn 2005 |
Mallet’s Version of St Kilda in Amyntor
and Theodora, or, The Hermit |
Sandro Jung |
6/2 |
Autumn 2005 |
The Imaginative Construction of Historical
Character: What Georg Lukács and Walter Scott could tell Contemporary
Novelists |
Stuart Ferguson |
6/2 |
Autumn 2005 |
Truth, Imagination and Tradition: Allan Cunningham
and Scottish Short Fiction |
Tim Killick |
6/2 |
Autumn 2005 |
National Confessions: Queer Theory Meets
Scottish Literature |
Gavin Miller |
6/2 |
Autumn 2005 |
‘Clemency Ealasaid July 1940’: The
Turning Point in a Poet’s War |
Isobel Murray |
6/2 |
Autumn 2005 |
Eòin Bhig na Mala Gruamaich (Little Bird
of the Gloomy Brow): Crossing Boundaries in Òran na Comhachaig |
Pat Menzies |
6/2 |
Autumn 2005 |
Gaelic Poetry’s Province of Stone: Iain
Crichton Smith and the Hebridean Echoes of Paul de Man’s Late Work |
Matthew Wickman |
7/1 |
Spring 2006 |
‘My Maisteris Dere’: The
Acknowledgement of Authority in The Kingis Quair |
Alessandra Petrina |
7/1 |
Spring 2006 |
French Portraits of Sir Walter Scott: Images of
the Great Unknown |
Gilles Soubigou |
7/1 |
Spring 2006 |
Paradoxical Readings: Reason, Religion and
Tradition in James Hogg’s Private Memoirs and Confessions of a
Justified Sinner |
Ismael Velasco |
7/1 |
Spring 2006 |
‘A Strange Race of Beings’:
Undermining Innocence in The Princess and the Goblin |
Fiona McCulloch |
7/1 |
Spring 2006 |
The White Bird Passes: How Jessie
Kesson Reached the Final Version |
Isobel Murray |
7/1 |
Spring 2006 |
Dialect(ic) Nationalism? The Fiction of James
Kelman and Roddy Doyle |
Matt McGuire |
7/1 |
Spring 2006 |
The Walking Cure: Heimat, Masculinity and
Mobile Narration in Alan Warner’s The Man Who Walks |
Berthold Schoene |
7/1 |
Spring 2006 |
No Half Measures: All for the Writing: A
Conversation with A.L. Kennedy |
Adriana Neagu |
7/2 |
Autumn 2006 |
Burns and Ramsay |
Christopher MacLachlan |
7/2 |
Autumn 2006 |
The Origins and History of James Hogg’s
‘Donald MacDonald’ |
Peter Garside |
7/2 |
Autumn 2006 |
To Make a Prophet’s Profit: Carlyle, Scott,
and the Metaphorics of Self-Evaluation |
Caroline McCracken-Flesher |
7/2 |
Autumn 2006 |
Faerie Romance and Divine Comedy: God Marries His
People in George MacDonald’s Heather and Snow |
Bonnie Gaarden |
7/2 |
Autumn 2006 |
The Ebb-Tide and The Coral Island |
Roslyn Jolly |
7/2 |
Autumn 2006 |
The Scots Tradition in Ulster |
Gavin Falconer |
8/1 |
Spring 2007 |
The Devil Takes a Hand: Daniel Webster, Wandering
Willie, and Lord Balmerino |
Ralph Stewart |
8/1 |
Spring 2007 |
Dva Brata: Robert Louis Stevenson in Translation
Before 1900 |
Tom Hubbard |
8/1 |
Spring 2007 |
Margaret Oliphant’s ‘Marriage’
to Maga |
Anne M. Scriven |
8/1 |
Spring 2007 |
‘The Man is a Menace’: MacDiarmid
and Military Intelligence |
Scott Lyall |
8/1 |
Spring 2007 |
George Mackay Brown’s Greenvoe as
Impossible Community |
Timothy C. Baker |
8/1 |
Spring 2007 |
Dogged Masculinities: Male Subjectivity and
Socialist Despair in Kelman and McIlvanney |
Scott Hames |
8/1 |
Spring 2007 |
Biographical Improvisation in Jackie Kay’s
Trumpet |
Carla Rodríguez
González |
8/1 |
Spring 2007 |
Morvern Callar, Art Cinema and the
‘Monstrous Archive’ |
John Caughie |
8/1 |
Spring 2007 |
National Identity and Popular Music: Questioning
the ‘Celtic’ |
Alistair Mutch |
8/1 |
Spring 2007 |
Speaking Welsh: Irvine Welsh in Conversation |
Ian Peddie |
8/2 |
Autumn 2007 |
The Manuscripts of William Fowler: A Revaluation of The Tarantula of Love, A Sonnet Sequence and Of Death |
Sebastiaan Verweij |
8/2 |
Autumn 2007 |
Disinterring The Grave: Religious Authority, Poetic Autonomy and Robert Blair’s
Fideist Poetics |
Eric Parisot |
8/2 |
Autumn 2007 |
An Early Jacobite Song on the Battle of Inverurie |
Lister Matheson |
8/2 |
Autumn 2007 |
Editing the Text and Music of James Hogg’s Songs by the Ettrick
Shepherd |
Janette Currie and Kirsteen McCue |
8/2 |
Autumn 2007 |
Penguins and Flowers: Failure of Nerve, Cultural Complexity and Tartanry |
Ian Brown |
9/1 |
Spring 2008 |
Boswell’s ‘Egyptian Task’: Ten Lines a Day |
Donald J. Newman |
9/1 |
Spring 2008 |
In Search of William Yates of Airdrie, Contemporary of Burns |
Ian Reid |
9/1 |
Spring 2008 |
Caledonia Germanica? German Women Writers Discover Scotland |
Silvia Mergenthal |
9/1 |
Spring 2008 |
Stevenson in Italy and in Italian |
Richard Dury |
9/1 |
Spring 2008 |
Scottish Poetry in German: Paradox, Transaction, Context, Superstition |
Iain Galbraith |
9/1 |
Spring 2008 |
Neither This, Nor That: The Apophatic Allegory of David Lindsay’s A Voyage to Arcturus |
Andrew R. Wheat |
9/1 |
Spring 2008 |
Culture and Leisure in Hugh MacDiarmid’s On a Raised Beach |
Nuchael H. Whitworth |
9/1 |
Spring 2008 |
‘Hastily Departed Brothers’: Saving the Lost Son in Norman Maclean’s A River Runs Through It, Neil Gunn’s Highland River, and Alistair MacLeod’s No Great Mischief |
Charlotte Fairlie |
9/1 |
Spring 2008 |
Two Editions of Sorley MacLean’s Dàin do Eimhir |
Ealasaid Gilfillan |
9/1 |
Spring 2008 |
Slabs and Scripts: John Byrne’s ‘Peculiarly Graphic Way’ |
Jennifer Mouat |
9/1 |
Spring 2008 |
The Year’s Publications 2007 – A Selected List |
Alexander J. Cuthbert |
9/2 |
Autumn 2008 |
John Arbuthnot’s Family Ties: Anglo-Scottish Relations in the John Bull Pamphlets |
Sharon Alker |
9/2 |
Autumn 2008 |
Counterculture Revisited: Young Adam, Then and Now |
Gary Hentzi |
9/2 |
Autumn 2008 |
Joseph Mitchell (c. 1684–1738): Anglo-Scottish Poet |
Sandro Young |
9/2 |
Autumn 2008 |
Cosmopolitan Scots |
Berthold Schoene |
9/2 |
Autumn 2008 |
Dedefining the Scottish Landscape: Valerie Gillies’s Tweed Journey |
Laura Severin |
9/2 |
Autumn 2008 |
The Unnamed Itenerant in Samuel Beckett’s Novellas and James Kelman’s Lean Tales |
Paul Shanks |
9/2 |
Autumn 2008 |
Genius, Men, and Manners: Burns and Eighteenth-Century Scottish Criticism |
Ronnie Young |
9/2 |
Autumn 2008 |
Review Article: The End of Histories? The Edinburgh History of Scottish Literature; Alba Literaria: A History of Scottish Literature; and Scotland’s Books: The Penguin History of Scottish Literature |
John Corbett |
